Sunday, September 28, 2008

Martin Scorcese is a Plagiarist

In an attempt at being productive this afternoon, I plopped down in front of the TV and opened up my rickety laptop to get some writing done. My slightly shameful habit on Sunday afternoons is to find a lame, unchallenging movie that I can half-watch while I pretend to write, but actually check electoral polls on an hourly basis. Usually, I check TBS, WE! and Oxygen, hoping for something like "Baby Boom" or "Stepmom." Basically anything that stars Diane Keaton and where having the volume on is not entirely necessary to understanding the plot. This afternoon while I waited for "Because I Told you So" to start, I watched a few minutes of the heart-wrenching classic, "An American Tail." If you were 7 years old in 1987, you were probably obsessed with this movie too. I watched for a few minutes when it dawned on me: "Gangs of New York" is basically a live action remake of "An American Tail." And yes, Leonardo DiCaprio is Fievel.




They're both plucky orphans with cute hats. They both have a prejudice against other "species"--for Fievel, it's cats, for Leo, it's Natives.

I think Marty has some explaining to do.

Thursday, August 28, 2008

We are all going to die.


Especially if we eat these.

NERD ALERT!


I don't know what the technical term is for these two-word rhyming adjectives (and sometimes nouns) or if there is one at all. Kinda like onomatopoeia, but not. Maybe they're something we need a name for.


willy-nilly
loosey-goosey
hoity-toity
hodge-podge
hoi-polloi
higgledy-piggledy
argy-bargy
harum-scarum

Wednesday, August 27, 2008

Who's That Girl? Wouldn't You Like to Know.

I watched way too much MTV as a kid. The TV was in the basement, and I'd sit there and watch for hours on end. I don't regret it all. Back then, MTV played videos, and they were awesome. I have fond memories of making "video mixtapes" with my favorite songs on them, so I could watch, say, that Faith No More video with the fish flopping around. Or "Into the Great Wide Open" or "Don't Cry." I loved it. My family got cable in 1987, right in the peak Adam Curry era. Do you ever read or see something you were obsessed with as a child, and haven't seen since then--and it's like a trap door inside of your brain opens up. A mental wormhole immediately transporting you to childhood? No? Just me?

Anyway, during a recent fruitless afternoon of youtubing, I stumbled across Madonna's video for "Who's That Girl" once again. I remember it vividly, mostly because of two things: Madonna's weird/awesome Sam Ronson-esque outfit and the video's complete lack of narrative logic. Even as a 7 year-old, I remember thinking that this was kind of a weird hodge-podge. The video is set on what appears to be the patio of a cheesy Italian restaurant, complete with a magical fountain playing a running loop of film clips and an in-house fortune teller. Take a look for yourself. Please appreciate Madonna's menswear-over-bike-shorts-and-bustier, and of course her short dark greasy hair. Are we supposed to think she is in disguise? And no late 80s Madonna video would be complete without an adolescent boy to dance with. This does not disappoint.

Monday, August 18, 2008

Brody Jenner is the new Dwayne Wayne


MTV recently announced that Brody Jenner, the less than entirely convincing Lothario from "The Hills," has scored his own spin-off reality series called "Bro-mance," wherein he searches for a new best friend to replace the hole left in his heart by Spencer Pratt. Given the fact that virtually everyone in Brody's family and circle of friends and hangers-on already has their own reality show, this news seemed almost inevitable. Yet there was still something utterly, stupidly depressing about it.

Brody is a peripheral character....errr cast member on a reality show that is in and of itself a spin-off of another reality show. If you will indulge me, he is Dwayne Wayne to Lauren Conrad's Denise Huxtable. Let me revise that: Spencer, in all his absurdity, probably has more in common with Dwayne Wayne; Brody definitely lacks the panache required to wear flip-up shades. He's more like Ron, the sidekick who was always trying to woo Whitley's friend whose name I forget.

But I digress. My point is that, even though it's nominally a reality show, and more accurately should be called a docu-soap, lately "The Hills" has been showing all the signs of a struggling sitcom. As much as it pains me to say it, I think that "The Hills" may have jumped the proverbial shark, like so many beloved shows before it. The stultifying trailer for Season 4, which starts today, only makes me fear for the worst. It also makes me wonder why LC hasn't at this point invested in some waterproof mascara.

Anyway, think back, if you will, to the days of yore, when scripted comedies with laugh tracks dominated network television line-ups. There were certain surefire signs--usually arriving sometime around the 5th season--that a series had exhausted itself creatively and was now running on fumes.

Consider the evidence I've gathered:

1. MOVING

THEN: Remember when "Kate and Allie" relocated from their adorable, cozy, heavily-wallpapered West Village townhouse (which they insisted, curiously, on calling an "apartment") and into a sleek, soulless apartment somewhere in a Midtown highrise? No? If not, then unlike me, you clearly aren't watching "WE: Women's Entertainment" very much during at 10 am on weekdays. Allie was engaged, and understandably--moved in with her fiancé. But, in a move that in real life would be considered downright creepy and grounds for an immediate break-up--Kate moved into the new apartment as well. Viewers were understandably grossed out by the whole thing--and by the wall-to-wall carpeting in the soulless new digs--and the show was cancelled.


NOW: This season, Lauren (think of her as Allie, but more uptight) and Audrina (think of her as Kate, with a spray tan and a lobotomy) moved from their already luxurious apartment to an utterly enormous house, complete with a pool and guesthouse. They also gained a third roommate, "Lo," who also happens to be Lauren's best friend "since forever." Predictably, bitchy "Mean Girls"-style maneuvering ensued. Sorry, but it's just hard to care anymore once you figure these girls aren't paying a penny to live in any of these sprawling homes, and that their relentless whining takes place in a total void of responsibility, other than making it to Equinox on time.

SEE ALSO: Facts of Life, Friends, Webster

2. GOING ON LOCATION

THEN: Remember when the Seaver Family went on a cruise on "Growing Pains"? It was when Mike was going out with the babysitter played by Julie McCullough, before Jesus Freak Kirk Cameron had her run outta town. Or when the kids from "Head of the Class" went to Moscow to play chess against their gifted commie counterparts? Or even when the "Facts of Life" kids went to Paris? Not unlike the apartment switcharoo in "Kate and Allie," the exotic locale is almost always a sure sign of creative bankruptcy and a temporary distraction.

NOW: The very best episode of this past season was the very first one, in which Whitney and Lauren wer--to the surprise of no one--whisked away to Paris for a few days of "work." There, Lauren had a brief encounter with a handsome, scruffy Parisian (he even smoked-how gross!) and burned her one of a kind dress with a curling iron. Unfortunately the producers squandered what actually would have been a great plot twist--sheltered OC girl tries to make it in a foreign city. It's hard to be convinced that Lauren ever had it tough making it in LA, but in Paris, it would have been a different story. Just think of how those surly Parisians would have treated her. Truly, this was a missed opportunity and an expensive gimmick. C'est la vie.

SEE ALSO: Saved by the Bell, Head of the Class, Facts of Life, Family Ties, and of course, The Brady Bunch.


3. LOATHSOME YOUNGER RELATIVES

THEN: In the last season of "Diff'rent Strokes," Mr. Drummond (or "Dad," as he was known to his adopted teenage children after the first season) finally got remarried to Maggie, played Dixie Carter. At this late point in the series, Kimberly had already abruptly left to "study in Paris" (a move later copied by Brenda Walsh), and even Arnold had outgrown his genetically-prolonged cuteness, so the series was desperately in need of some new life blood. Unfortunately, this new blood came in the form of a truly despicable, precocious red-head named Sam, Maggie's son, who proved to be the show's Jar-Jar Binks, full of one-liners fit for a Borcsht Belt comedian. Luckily us, the show was cancelled before the writers had the chance to rapidly age him.

NOW: The major development of Season 3 of "The Hills" was the arrival of Stephanie Pratt. Beyond the fact that she looks eerily like a combination of her brother and his fiancé and makes some creative hairstyling decisions, Stephanie has contributed very little to a show that doesn't ask for much from its cast members. Mostly, she just sucks up to Lauren, pretends to learn about fashion merchandising, and unconvincingly acts mad at Spencer. Next season brings yet another blonde, look-alike sibling with the arrival of Heidi's younger sister. Oy. Where is Sam when you need him?


SEE ALSO: Growing Pains, The Brady Bunch, The Cosby Show, Full House


4. TROUBLING PHYSICAL TRANSFORMATION OF CAST MEMBERS

THEN: My personal favorite sitcom of all time is "The Facts of Life," a show that managed to survive for nearly a decade despite a highly convoluted premise that only got worse through several overhauls (teenagers at an all girls-school get into trouble and move into a café with their dorm mother, and when it burns down they start a store selling plastic palm trees?). It even gave us 4 iconic characters: Jo, Blaire, Tootie and Natalie. Each of the four girls was a bit of a stereotype, but as the show progressed, they all kind of blurred. The cast members famously put on a lot of weight seemingly all at the same time, and started to look like busty middle-aged soccer moms (see damning evidence above), and not the teenagers they were supposed to be. Aesthetics aside, the collective weight gain only emphasized the fact that Tootie, Natalie, Blaire and Jo had outgrown (sorry) their roles, and that it was time to, um, get a life.

NOW: One of the surest signs of Spencer's nefarious influence on Heidi is her startling physical transformation from Season 1. She started the show as a pretty, doe-eyed waifish blonde, only to get basketball implants and a nose job after hooking up with Spencer. Things only worsened in Season 3, as Heidi's lips got progressively huger with each passing episode, and her already skinny frame got even more so. Occasional guest start Jenn Bunny followed in Heidi's footsteps and got a nose job, and now it looks like Audrina may have gotten implants too. Do all of Lauren's ex-besties resort to surgery?

SEE ALSO: GROWING PAINS, FRIENDS

5. MORE FOOD FOR THOUGHT

THEN: Kirk Cameron and Lisa Welchel became devout Christians.
NOW: Heidi Montag recently declared her intent to record a Christian Rock album.

THEN: Valerie Harper was replaced by Sandy Duncan on ''The Hogan Family"; Charlotte Rae was replaced by Chloris Leachman on "The Facts of Life"
NOW: Bitchy Boss Lisa love is replaced this season by bitchy boss Kelly Cutrone.


Wednesday, June 18, 2008

Dina's Pizzeria


Against my better judgment, I have been watching E's utterly execrable Living Lohan, a genuinely tedious and self-aggrandizing reality show that makes The Hills seem like gritty cinema verite by comparison. Living Lohan is well and truly about nothing, and the only Lohan we really want to see -- Lindsay -- is never seen but almost relentlessly spoken about, sort of like the Wizard of Oz, or maybe just the Great Pumpkin. Dina and co. are well aware of this, and talk about Lindsay in breathless, worshipful tones, almost as if to remind us why they have a show in the first place. Still, I keep watching, sort of hoping that Lindsay will make an appearance, knowing in my heart that she never will. Mostly because Dina is pretty much the hilariously hypocritical nightmare you expect her to be. Clearly Dina sees herself as a tough "Mama Bear" who's just defending her cubs from the mean, nasty paparazzi outside her driveway, but this is a woman who allows her 14 year old to go to Vegas to "lay down tracks" with a music producer who blatantly lies to the press about his relationship with Lindsay, and who thinks that somehow her children have a God-given right to be famous. But really, it's not so much the antics of the Lohan family that are keeping me glued to the television-or at least in its general vicinity. It's their confounding decorating choices, about which I have a few questions. If anyone can shed some light, please share.

1. Is that a huge picture of a pizza pie hanging in the Lohan's kitchen? It's exactly like the generic stock photo of a pizza that you find in 90% of all pizzerias in North America. What is up with that?
2. Aren't the Lohans Irish?
3. Seriously, why a pizza? Was Frameworks all sold out of "The Best of French Cheese" and "The World of Pasta" posters?
4. At the very least, I was expecting an Andy Warhol-esque portrait of Lindsay's face in hot pink, blue and yellow. Maybe Lindsay wouldn't sign a release and they had to get a replacement last minute?
5. Or maybe a local pizzeria was just having a stoop sale?
6. Why not a calzone? Or plate of spaghetti?
7. Shouldn't Dina be buying some real art at this point? How much do mom-agers make these days? Is it just product placement from Papa John's?
8. Maybe it's to remind Ali -- excuse me -- Aliana and her little brother what to order when they get hungry while Mom is partying at the Hawaiian Tropic Zone, and the kitchen is bare except for a half empty jar of green olives and a bottle of Kahlua.
9. Is this even their house? Sure it's a cheesy Long Island McMansion and kind of exactly what you'd expect the Lohans to live in, but there's something creepily anonymous and haphazard about having a giant stock photo of a pizza hanging in your kitchen. Maybe it's just a decoy house, but I doubt it. As much as Dina pretends to loathe the paparazzi, she clearly wants the cameras there.
10. Do they rotate the picture regularly using restaurant menu stock photos? Last month: Taco Salad. Next month: beef and broccoli.

Monday, March 31, 2008

I Have a Theory



For a long time now, I have had a visceral and irrational hatred of that little Hayden Panetierre. I don't know exactly why, and I have never even heard her speak, but something about her seriously bugged. And it wasn't just the fact that she's like, 11, and dresses like a weird 40-year-old.

Finally, this morning I found my answer, which came as answers so often do: red carpet pictures of the Kids' Choice Awards. There was Hayden, looking simultaneously 18 and 40, annoying the sh!t out of me. Suddently it dawned on me.

She looks exactly like Rachel Ray, who is my worst nightmare, what with her Dunkin Donuts coffee coolattas and her Wheat Thin bologna sandwiches for dinner. They both have the exact same look of a Barbie doll whose head you have removed, then replaced but smooshed down too far. Any of you out there who, like me, tortured many a Barbie Doll growing up, will know exactly what I am talking about. It's unmistakable.

For further evidence, please see the picture above right, which is also just one of the sickest and most offensive pictures ever taken for more reasons than I can even discuss.

Now, I am not one to shy away from the hard-hitting questions. Why is the truth about these two being kept from us? Is it a larger conspiracy? The Masons? The Illuminati? You decide.

Sunday, March 23, 2008

Desperate for the (Real) Housewives


I never thought that I could love/hate anyone, at least not any group of middle-aged fame whores, as much as I love "The Real Housewives of Orange County." For three seasons now, I have watched the "RHOC" flaunt yards of wrinkly, surgically-enhanced cleavage while wearing age-inappropriate rhinestone-encrusted tops, and I have loved every minute of it. I watch the show with a kind of anthropological fascination, almost as if I were paging through a National Geographic magazine, only with even more boob. I am simultaneously alienated and riveted by the housewives' lifestyle, with all its bizarre, tacky trappings--the hair extensions, the overly-Botoxed faces, the Pucci prints, the $300,000 pools, the offspring with made-up names, and last but not least, the blue cheese-stuffed-olive dirty martinis. So when the most recent season of the show ended with Lauri's ridiculous wedding (her 3rd) to her rich and chinless fiancé, George, I thought it just couldn't get any better. I knew I was going to miss the Housewives.

But Bravo knows their audience all too well, and quickly filled the hole left in my heart with a new set of not-so real, not exactly housewives: the "Real Housewives of New York City." I have to admit, I didn't think I would be susceptible to this incarnation of the show for a variety of reasons. Basically, I thought, eh, a bunch of socialites, how boooooring. Plus, I thought naively, the show could never have the same exotic factor as the Orange County version. It's my city, so there won't be the same kind of distance that allows me to disdain the OC ladies so gleefully. If I were to get all academic about it--and why shouldn't I?-- it wouldn't be as easy to look at the Housewives as the "other."

Fortunately for me, I could not have been more wrong about the New York Housewives.

There's Ramona, who looks like she was airlifted into New York City straight from Orange County, with all the blonde hair, loud tops and short skirts that entails. At first Ramona seemed sort of normal, but with each episode, it's becoming more painfully clear that Ramona is a very insecure woman. She's married to Mario, and you can tell they still do it all the time, but that he probably does it with the babysitter too. Ramona's tween daughter is deeply embarrassed by her mother's racy outfits and drunk-sorority-girl-on-Bourbon-Street behavior. At 12, she is without a doubt the smartest and most mature person on the show.

Speaking of teen daughters, there's also Jill, the Long Island Jew whose accent is almost as intense as her social aspirations. Jill has a 15-year-old daughter who seems sweet and unaffected, but whom she sends to fat camp-I mean "holistic" detox center--via a private plane. Jill is married to Bobby, and talks about the Hamptons like she invented them. "All our friends are there," she says about 20 times per episode. Jill has a serious axe to grind with Ramona, and in the latest episode, completely lost her sh!t when Ramona was seated in front of her at a fashion show. Savvy viewer that I am, I have a feeling some clever Bravo producers were behind that arrangement. God bless them.

Then there's Bethenny. Or as I like to call her, "Beth N.E.," whose inventively-spelled name might be the most interesting thing about her. Beth N.E. lives in a blandly ugly block of condos on the Upper East Side, and dates a bald guy with three kids. She cooks a lot, and talks about Martha Stewart even more. Her apartment looks exactly like every apartment I have ever been in on the Upper East Side. It's perfectly nice, but I have no idea why she is on this show, except for the obvious fact that she desperately wants to be. The first two episodes, I found her painfully boring, but I have hope for Beth N.E., especially after she called Alex's husband gay (I'll get to that later). She could be the dark horse of the show.

Not boring at all is LuAnn, who is both the most terrifying and the most stereotypical WASP ice queen of on the show. She has a touch of Janice Dickinson about her, and it seems that, like Janice, she is probably going to be the show's requisite bitch. LuAnn is married to some dude whose family bought a royal title back in the day, and because of this she insists, without a hint of irony or self-deprecation, on referring to her husband simply as "the Count," not Fred or Willard or Enrique or whatever his name is. LuAnn also speaks with an alarming amount of pride about how much she overworks her maid, Roseanna, who seems to spend about 14 hours a day cleaning up puppy poop and carrying bags in and out of Countess LuAnn's numerous residences. She is tight with Jill, and the two of them prey on sad Ramona like a pair of ravenous ferrets or really trashy Edith Wharton characters.

Last, and in absolutely no way least (other than her weight), is Alex. Where do I begin? Well, at the risk of slander, I am going to say that Alex is the woman with the eating disorder and the gay husband. When I heard that there was going to be a Brooklyn couple on the show, I had visions of a pre-tragedy Heath and Michelle: a fabulous yet down-to-earth, vaguely Bohemian couple living the highlife in an envy-inducing brownstone they bought 10 years ago, and now fill with chlorine-free diapers and clothes from Steven Alan.

Instead, we got something far more interesting. Alex and her husband, Simon, met on an "international dating" site, which makes sense since they are both hugely pretentious Francophiles. She's originally from Kansas, and he's from Australia, but he has affected a mysterious pan-global accent; if people really spoke Esperanto, I bet this is what their accent would be. He manages a small hotel and she is a visual merchandiser, but somehow they can afford six-figure shopping sprees at Roberto Cavalli, not to mention a $2.2 million townhouse in Cobble Hill. Being a hard-hitting journalist, I looked up the establishment, the Hotel Chandler, thinking maybe it was some lush hidden gem in Murray Hill. The main page featured a cartoon duck holding a bouquet of flowers, which, adorable thought it may be, does not immediately scream "expensive" or "luxurious" to me. But what do I know? The jury is still out.

As much as I enjoy the other Housewives, what I really want is a reality show devoted entirely to Alex and Simon's relationship, because, my friends, that sh!t's crazy. As Beth N.E. pointed out in the most recent episode, it is a deeply co-dependent relationship, in spite of (or maybe because of) the fact that Simon doesn't seem like the straightest of men. Alex and Simon consult each other on everything, no matter how inane, or where the other person is. Witness the latest episode, when Simon texts Alex about what color boot he should wear. I can't tell who is in charge, because their personalities seem to have merged so completely. Witness the first episode, when in a scene that Bravo has played more or less non-stop, Simon and Alex frolic on the beach in St. Barthe's, wearing his-and-hers thongs and thus proving the old adage, "the family that wears butt floss together, stays together."

The only downside to the new series is that it makes me worry a bit about the Orange County version. Part of the fun of the OC show is allowing myself to believe, despite my better judgment, that there is an alternate universe not all that far away, a land where all girls over the age of 13 get hair extensions, and everyone lives in pseudo-Tuscan McMansions with their children, Chynah, McKeltey, and Slatington. Even though this possibility terrifies me, I kind of want it to be real. Same goes for ghosts, alien abductions, and the Loch Ness Monster. But watching the New York Housewives, it's clear that while they are brilliantly cast, these women aren't representative of the New York I know, nor are they representative of "New York society," whatever that means. Thank God on both counts.